The Red and the Black is a Franco – Italian film directed by Claude Autant – Lara , released in 1954 .
Synopsis
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The story of Julien Sorel, a carpenter’s son, arriviste immortalized by Stendhal , who renounces the army for the Church but that love will lead to the guillotine.
Technical sheet
- Title: The Red and the Black
- Director: Claude Autant-Lara
- Scenario: Jean Aurenche , Pierre Bost and Claude Autant-Lara in an adaptation of Stendhal’s novel , The Red and the Black
- Dialogues: Jean Aurenche and Pierre Bost
- Sets: Max Douy
- Costumes: Rosine Delamare , Jacques Heim , Paulette Coquatrix
- Photography: Michel Kelber
- Camera operator: Vladimir Ivanov 1
- Sound: Antoine Petitjean
- Editing: Madeleine Gug
- Music: René Cloërec
- Production: Henry Deutschmeister and Gianni Hecht Lucari (en)
- Production Companies: Documento Films (Italy) and Franco-London Films (France)
- Country of origin: France , Italy
- Original language: French
- Format: Color ( Eastmancolor ) – 35 mm – 1.37: 1 – Mono
- Genre: drama
- Duration: 186 minutes
- Release dates: France : ; Italy :
Distribution
- Gérard Philipe : Julien Sorel
- Danielle Darrieux : Mme de Renal
- Antonella Lualdi : Mathilde of La Mole
- Jean Martinelli : Monsieur de Renal
- Antoine Balpêtré : Father Pirard
- Jean Mercure : the Marquis de La Mole
- Alexandre Rignault : the father Sorel
- Anna Maria Sandri : Elisa
- Jacques Varennes : the president of the tribunal
- Suzanne Nivette : the Marquise de La Mole
- André Brunot : Father Chélan
- Georges Descrières : the Marquis de Croisenois
- Georges Wilson : Mr. Binet
- Gérard Séty : the officer
- Claude Sylvain : Amanda Binet
- Jean Sylvain : a servant
- Robert Berri : the coachman of the Marquis de Croisenois
- Mirko Ellis : The Count of La Mole
- Pierre Jourdan : Count Altamira
- Albert Michel : the bell ringer
- Jean-Marie Amato : the shoemaker
- Raphael Patorni : a gentleman in the crowd
- Georgina
- Jean-Pierre Grenier
- Hubert Noël
Around the film
- This film, perceived as a representative of a certain French academicism, provoked violent criticism from members of the New Wave .
Reward
- 1955 : Grand Prix of the Academy of Cinema
Bibliography
- Jean Collet, Telecine No. 44, Federation of Leisure and Cinematographic Culture (FLECC), Paris, December 1954, Sheet N ° 227.
References
- ↑ (in) Vladimir Ivanov [ archive ] on the Internet Movie Database